"I believe in the language of symbols, because they carry the power to
transcend barriers, allowing us to travel beyond the barriers of culture, intellectual dogma, and ultimately personal identity." ... Juan Rosenfeldt
Mesopotamian incantation bowl
"Where there is a symbol, there is creation" ...
Stephane Mallarme to Jules Haret .. 1891
this appears to be a middle eastern
chart of the cycles of the moon
I'm drawn to cultural symbols and script that
seem mysterious, in that they are unfathomable to me,
yet steeped in another culture's traditions, spirituality,
lineage, and daily life . . books, paper, stone, wood.
Small folding manuscript in northern
Thai script (British Musem)
Ironwood shaman's calendar
Pasir Dayak
The labryinthe at Chartres
Moroccan calligraphy, 19th century
The oldest known inscriptions of a family tree
thought to show the names of emperors from the Chang Dynasty
from Sri Threads website
Nanso Satomi haken den by Kyokutein Bakin (1890),
one out of 98 volumes from his long novel, Yomihan
Inscriptions on stone drums (Eastern Zhou Dynasty, China, 5th century BC)
Postage stamps as contemporary cultural identification symbols . . .
thought to show the names of emperors from the Chang Dynasty
from Sri Threads website
Nanso Satomi haken den by Kyokutein Bakin (1890),
one out of 98 volumes from his long novel, Yomihan
Inscriptions on stone drums (Eastern Zhou Dynasty, China, 5th century BC)
Postage stamps as contemporary cultural identification symbols . . .
Using "asemic" (without semantic meaning) symbology in art . .
Antoni Tapies
Two encaustic paintings from my Semiotics Series . . the symbols
are meant to be a mystery (asemic) and were chosen for
the aesthetics of their graphic qualities.
Janna Gougeon 14 x 14 encaustic
Janna Gougeon, 12 x 12 encaustic
When I was young I wanted to be an archeologist, but that didn't seem very "practical". Then I discovered that there was something called sociology. That also didn't seem practical, as I didn't want to teach. So I chose to get a degree in psychology. Now, as an artist and spiritual seeker, my eye is drawn to visual symbols. In my fascination with the ancient (archeology), sociology (cultures), psychology (personal creation), I seem to have combined them all.
You have combined them all in an exquisite way...congratulations on these two pieces. They contain mystery and that is no easy task!
ReplyDeleteThanks so much. I really appreciate that. :)
DeleteYou know I'm tracking with this. I've never run into 'asemic'--a particularly nice word. Thanks for all the historic pieces too. That Arabic writing is art all by itself isn't it? Great work as usual, Jann.
ReplyDeleteThank you, Willam. I recently discovered that word myself!
DeleteMystery and history...yes. Thanks for a rich post Jann. I am enjoying your work immensely.
ReplyDeleteHi Leslie . . thank you :)
DeleteBonjour Jann, vous semblez heureuse de votre cheminement artistique, en harmonie, vos pieds effleurent la terre et votre esprit effleurent le ciel et en cela vous faites le plus beau cadeau Ă la vie.
ReplyDeleteMerci beaucoup, Thige. . Vous devez ĂȘtre un poĂšte! Mots plus beaux. :) Vous savez, mon vocabulaire français n'est pas exhaustive, alors j'espĂšre que cette traduction avec google est exacte.
DeleteBeautiful post and beautiful works.
ReplyDeleteThank you, Lynn and thank you for coming by and commenting.
Deletecorrectif; votre esprit affleure le ciel :-)
ReplyDeleteJe vous remercie, Thige. . belles paroles!
DeleteYour blog is a virtual feast! I love the imagery and the emotional response evoked when I visit!
ReplyDeleteThank you kindly, Crystal and thanks for visiting!
DeleteThank you, Cristeen
ReplyDeleteJann your two pieces feel very mysterious, as do all the images you've posted. Delicious post!
ReplyDeleteThanks so much Robyn!
Delete